Services
This is what I produce. It is not a menu: it is the range that passes through the same eye, with spaces and real estate as the deepest track record.
Every project is quoted on what it demands, and that conversation is part of the work.
Spaces and real estate
Towers, developments, hospitality and spaces in operation. From a walkthrough solved in one day with natural light to a production shot across several days with the light chosen hour by hour, drone and a cinematic treatment.
Corporate and institutional video
Your company’s voice: the piece that introduces it, executive interviews with careful audio and framing, product launches and internal communication.
Events and conferences
Video and photo coverage of forums, conventions and activations, with the aftermovie as the record of the event and the sales argument for its next edition.
Photography
Architecture and real estate, corporate portraits held to one standard, product and events. Still images carry your brand’s first impression.
Digital content
Vertical pieces with the pacing of paid media, capsules that position spokespeople and monthly programmes that group shooting days so they go further.
Event identity and motion
Your event’s logo, its animation and the graphic system that holds every piece together. This is design, not editing: an event with its own identity sells differently.
What moves the figure
Six variables explain almost all of the difference between one commission and another.
Level of finish
From a direct, well-solved piece to one with a cinematic treatment. Both are professional; the second demands far more time in planning and in working the image.
Production complexity
An interview in an office and a walkthrough of an industrial plant with several areas are nothing alike. The more moving parts a project has, the higher it goes.
Conditions on site
A space with good light and free access is solved quickly. A dark one, with restricted hours or still in operation, takes considerably longer for the same result.
Number of shooting days
One day gets a lot done. Several allow you to pick the best light, cover more ground and go again on a shot, and that is what separates a correct piece from a memorable one.
Number of deliverables
Editing, selection, colour and subtitles take up most of the real time. Ten pieces do not cost ten times one, but they do not cost the same either.
Location and logistics
Panama City is straightforward. Elsewhere in the country or abroad means travel, per diems and extra days.
In every project
- Pre-production and coordination
- Full direction and execution
- Footage selection and curation
- Editing of the agreed pieces
- Colour correction
- Export in digital formats
- One round of revisions per piece
- Licensed music
Frequently asked
On what it demands: the level of finish, the complexity, the conditions on site, the shooting days, the deliverables and the logistics. Tell me what you have in hand and I will propose the level of production it deserves. If you would rather build a package yourself, ask me for access to the private calculator and bring the plan to the conversation.
Pre-production and coordination, full direction and execution, footage selection and curation, editing of the agreed pieces, colour correction, export in digital formats, one round of revisions per piece and licensed music.
Higher-complexity productions, built sets or dressed locations, delivery of raw unedited files, extra rounds of revisions, subtitles in several languages, 3D or complex animation, professional voice-over, on-camera talent, travel outside Panama City and rush delivery.
Home base is Panama City and I have filmed wherever the project calls: Valencia and Mallorca among others; Aruba has taken my post-production and digital projects. Travel is coordinated and quoted per project.
I do. When the scale calls for it (an event, a larger set) I direct a trusted crew: sound, lights, operators. The judgement is never delegated: every project passes through the same eye.
Yes. Versions and subtitles in more than one language are quoted by the scope of each piece.
Tell me what you have in hand. What you built with judgement deserves to be portrayed with the same judgement.
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